#媽咪木乃伊

媽死在新加坡中央醫院。爸說,我們要搬回印尼。翻譯:我會長成一個叢林女人,別想當路易威登的文案了。爸說,我們要用托拉查人的方式安葬媽。翻譯:他要把媽做成木乃伊,我們要跟她一起住,不知道要住多久,直到爸湊夠五億印尼盾,買一頭白化水牛在她的 Rambu Solo’ 上獻祭。那比一輛車還貴。我們去哪裡找那麼多錢?爸說,Diah,你差不多長大了,夠大可以幫你的 Ambe 了。意思是,飯店裡其他印尼園丁和女傭,連 Kemala 的父母在內,都不會再借他錢了。爸之前為了媽的化療借的錢,他們都還拿不回來。爸抱著他的酒瓶,哭到睡著。我希望我也能哭,可是我只覺得生氣。媽,對不起,可是為什麼我們不能像 Kemala 的奶奶那樣,把你火化?或者像正常人一樣,把你埋了?你說過你不會在我的畢業舞會之前死。我只是說,做不到的事,就不要答應。

半夜,飯店宿舍裡的人都睡了,爸把我叫醒,我們偷偷溜出房間。他的臉和眼睛都是紅的,身上的味道像那些不肯離開飯店酒吧的男人。他從宴會廚房偷了那個工業冰櫃,就是飯店放婚禮冰雕的那個。我幫他把冰櫃推到後門,上面堆著我們的行李,我們能帶走的幾樣東西。爸關上園丁的工具房,跟他所有的園藝工具說再見的時候哭了,可是他留下那把 hori hori 刀,那是他在巴厘島的園藝老師送他的禮物,還有他偷的那些迷你酒瓶。可口可樂的送貨員開他的貨車載我們去醫院,太平間的人把媽放在冰天鵝、冰鑽石,還有冰凍愛心裡的小新娘和小新郎中間。媽看起來一樣,不是像六個月前那樣——那時醫生說她子宮裡長的東西不是嬰兒——是像兩天前那樣。那時她看起來好瘦好小,可是她在病床上坐起來,幫我燙頭髮,我們用我的手機看寶萊塢音樂影片,每次女演員暈倒在她的男人懷裡,我們就大笑。媽說,我們應該什麼都笑。不然還能怎樣,哈哈。

整整兩天的路上,爸一直喝酒,一直哭。我們總是在最便宜的貨艙,跟雞和很臭的榴槤在一起。先是渡輪,然後是大船,然後是巴士,帶我們到爸在叢林山上的村子前面的最後一個小鎮。每次我以為我們必須丟下媽離開,就會有四、五個男人放下他們的行李和髒孩子來幫我們。天氣熱到陌生人的雞睡在媽的冰櫃上面。爸說我們不能坐飛機去雅加達,因為政府會收屍體稅。不過,爸說的東西很多。

天黑了,爸的表哥 Joko 才開著他的礦場卡車出現。在印尼,每個人都是表哥,所以誰知道呢?他看起來比爸老,可是手臂很粗,有一隻手只有一根手指,一根大拇指。「Diah,你漂亮。」他說,舔了舔他的金牙。我心裡有一點想吐。他的駕駛室有鐵鏽和雨的味道,他用那一根大拇指一直按收音機的按鈕。很多公里的路,只有卡車的燈是光,叢林的霧把月亮遮住了。四周的黑暗裡突然有尖叫聲,是動物在打架,或者被強暴。

我假裝睡覺,Joko 一直說話,他嘴巴反對的每一件事,他的手都比一個讚。

「你不可以、不可以、不賣你爸的地……沒有什麼好羞恥的。現在的情況,像牛角尖上的一顆蛋。」

「我不想說地的事。」爸說。

「你以為你爸不會同意?Papa Tangke 已經迷路了!像一頭在街上的瞎眼鯨魚!像一頭有火雞腦袋的大象!」

「也許你幫我在金礦找一份工作。」

「挖金礦不是跟花說話、照顧蜜蜂!」

「也許我跟你爸租地,種稻米。」

「米已經變成粥了!土都被肥料弄死了。賣掉那塊地。也許會有人付錢給你,買採礦權。」

最後,爸的村子在朦朧的月亮前面出現了,七座 tongkonan,屋頂是大大的弧形,像在山頂上翻過來的鬼船。Joko 按喇叭,黑色的影子從竹林裡飛出來,在我們頭上飛,嘎嘎叫。然後,一整個村子我從來沒見過的親戚從他們的 tongkonan 裡出來,圍住爸。

我用那些看起來很邪惡的屋頂當背景自拍,我的臉很害怕,像《The Blair Witch Project》裡那樣,想傳給 Kemala,可是那個圈圈一直轉一直轉,最後放棄了。Google Earth 說:找不到位置。連最大的邪惡帝國都找不到我。這是正式的。我已經不存在了。

爸說,現在我們跟我們的人在一起了,一切都會 OK。我沒有說,渡輪離開新加坡港口的時候,我跑上甲板,已經跟我的人說再見了。再見,路易威登的水晶宮。再見,地鐵。再見,Anderson 中學,就算你給我獎學金不是因為我真的有天分,是因為你們要在名單上有一個傭人階級的女生。再見,三角函數課的荷蘭男生;再見,你脖子上的雀斑。再見,文明。

我們到爸的村子的第二天,我看著一整個房間我不知道存在的阿姨,把媽變成一個木乃伊……

(未完……收錄於即將出版的短篇小說集《每個故事都有人死亡》)

English original

Ma died at the Singapore General Hospital. Pa said, We’re moving back to Indonesia. Translation: I’ll grow up a jungle woman. Don’t even think about becoming a copywriter for Louis Vuitton. Pa said, We’ll bury Ma the Torajan way. Translation: he’ll mummify Ma, and we’ll live with her for who knows how long till Pa scrapes together five hundred million rupiahs to sacrifice an albino buffalo for her Rambu Solo’. That is more expensive than a car. How can we get that kind of money? Pa said, Diah, you’re almost grown up, old enough to help your Ambe, meaning none of the other Indonesian groundkeepers and maids at the hotel, not even Kemala’s parents, will lend him any more money. They can’t even get back what Pa already borrowed for Ma’s chemo. Pa hugged his bottle and cried himself to sleep. I wished I could cry, but I only felt angry. Ma, I’m sorry, but why can’t we burn you like they did with Kemala’s grandma? Or bury you like normal people? You said you wouldn’t die until after my junior prom. Don’t make promises you can’t keep is all.

In the middle of the night, after everyone at the hotel dormitory had fallen asleep, Pa woke me up, and we sneaked out of our unit. His face and eyes were red, and he smelled like men who wouldn’t leave the hotel bar. He had stolen the industrial icebox from the catering kitchen where the hotel kept dry ice sculptures for weddings. I helped him wheel the icebox to the back gate with our luggage piled on top, the few things we could take with us. Pa cried when he closed the groundkeeper’s tool shed and said goodbye to all his gardening tools, but he kept the hori hori knife, the gift from his horticulture teacher in Bali, and the mini bottles he stole. The Coca-Cola deliveryman drove us in his van to the hospital, where the men at the morgue put Ma between ice swans, ice diamonds, and little ice brides and grooms inside frozen hearts. Ma looked the same, not the same like six months ago, when the doctor said something that was not a baby was growing in her womb, but the same like two days ago, when she looked so thin and small, but she sat up on the hospital bed and gave me a home perm, and we watched Bollywood music videos on my phone and laughed whenever the actress swooned into her man. Ma said we should laugh at everything. What else can you do, ha ha.

Pa drank and wept the whole two-day trip. Always we were in the cheapest cargo section, where they kept chickens and stinky durians. First a ferry, then a ship, then a bus, which took us to the last town before Pa’s village in the jungle mountains. Every time I thought we would have to leave without Ma, four or five men would leave their luggage and dirty children to help us. It was so hot that strangers’ chickens slept on top of Ma’s icebox. Pa said we couldn’t take a plane to Jakarta because the government would charge a corpse tax, but Pa said a lot of things.

It was dark when Pa’s cousin, Joko, showed up in his mining truck. Everyone in Indonesia is a cousin, and so who knows? He looked older than Pa but his arms were thick, and one of his hands had only one finger, a thumb. “Diah, you pretty,” he said and licked his gold teeth. I puked a little inside. In his cab that smelled of rust and rain, he jabbed at the radio buttons with his one thumb. For many kilometers, the truck gave the only light, the jungle fog obscuring the moon. Shrieks burst from the darkness all around, animals fighting or getting raped.

I pretended to sleep while Joko talked nonstop, his hand giving a thumbs-up to everything his mouth was objecting to.

“You cannot, cannot, not sell your father’s land… There is nothing to be ashamed of. The situation is like an egg on the tip of a horn.”

“I don’t want to talk about the land,” Pa said.

“You think your Pa wouldn’t agree? Papa Tangke is lost! Like a blind whale on the street! Like an elephant with turkey brain!”

“Maybe you get me a job at the gold mine.”

“Mining gold is not talking to flowers and tending bees!”

“Maybe I lease land from your Pa, and grow rice.”

“The rice has become porridge! The soil is dead from all the fertilizers. Sell that land. Maybe someone will pay you for the mining right.”

Finally, Pa’s village rose up in front of the hazy moon, seven tongkonans with roofs in large arcs, like ghost ships capsized on a mountaintop. Joko honked, and dark shapes flew out of the bamboo jungle and hovered overhead, squawking. Then a whole village of relatives I had never met came out of their tongkonans and surrounded Pa.

I took a selfie with those sinister-looking roofs behind me, my face all scared like in The Blair Witch Project, and tried to text it to Kemala, but the wheel just spun and spun and finally gave up. Position not found, said Google Earth. Even the largest evil empire couldn’t find me. It was official. I no longer existed.

Pa said everything would be ok now that we are with our people. I didn’t say that when the ferry was leaving the port of Singapore, I ran up to the deck and already said goodbye to my people. Goodbye, crystal palace of Louis Vuitton. Goodbye, Metro. Goodbye, Anderson Middle School, even if you gave me a scholarship not because I really was gifted but because you want a servant-class girl on your roster. Goodbye, Dutch boy at trigonometry; goodbye to your neck freckles. Goodbye, civilization.

The day after we arrived in Pa’s village, I watched a whole room of aunties I didn’t know existed turn Ma into a mummy…

(Continued…in upcoming short story collection “Someone Dies in Every Story”)

短篇小說

如果這個故事留在你心裡……

當我有新的故事問世,我會讓你知道。